T. RYDER SMITH B’way debut. Off-B’way: Sarah Ruhl’s Dead Man’s Cell Phone (Playwrights Horizons); Will Eno’s Thom Pain (Daryl Roth); Marat/Sade (Classical Theatre of Harlem); the world premieres of Richard Foreman’s The Gods Are Pounding My Head, David Greenspan’s She Stoops to Comedy, Anne Washburn’s Apparition, Israel Horowitz’ Lebensraum (Drama Desk Award), Glen Berger’s Underneath the Lintel (Drama Desk nomination). Regional: Sarah Ruhl’s Passion Play (Goodman); the premiere productions of Big Love (Humana Festival), In This Corner (Old Globe), Of Equal Measure (Center Theatre Group, L.A.), Compleat Female Stage Beauty (CATF), Lincolnesque (Old Globe, Craig Noel Award). Film/TV: Happy Tears (2009), Horrible Child (2008), Brainscan, “Law & Order,” “Conviction,” Bioshock, “The Venture Brothers.”

Currently appearing in Show Theatre Role Equus Broadhurst Theatre Frank Strang

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